{"id":1057,"date":"2010-03-22T14:37:58","date_gmt":"2010-03-22T14:37:58","guid":{"rendered":"http:\/\/www.interamericanstudies.net\/?p=1057"},"modified":"2010-04-19T11:00:56","modified_gmt":"2010-04-19T11:00:56","slug":"manuel-peter-ed-creolizing-contradance-in-the-caribbean-2009","status":"publish","type":"post","link":"http:\/\/www.interamericanstudies.net\/?p=1057","title":{"rendered":"Manuel, Peter, ed. Creolizing Contradance in the Caribbean. 2009"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1081\" title=\"CreolizingCarribean_klein\" src=\"http:\/\/www.interamericanstudies.net\/wp-content\/uploads\/2010\/03\/CreolizingCarribean_klein.jpg\" alt=\"\" width=\"6\" height=\"9\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1083\" title=\"CreolizingCarribean\" src=\"http:\/\/www.interamericanstudies.net\/wp-content\/uploads\/2010\/03\/CreolizingCarribean.jpg\" alt=\"\" width=\"200\" height=\"300\" \/>The contradance and quadrille, in their diverse forms, were the most popular, widespread, and important genres of creole Caribbean music and dance in the nineteenth century.\u00a0 Throughout the region they constituted sites for interaction of musicians and musical elements of different racial, social, and ethnic origins, and they became crucibles for the evolution of genres like the Cuban danz\u00f3n and son, the Dominican merengue, and the Haitian mereng.<\/p>\n<p><em>Creolizing Contradance in the Caribbean<\/em> is the first book to explore this phenomenon in detail and with a pan-regional perspective. Individual chapters by respected area experts discuss the Spanish, French, and English-speaking Caribbean, covering musical and choreographic features, social dynamics, historical development and significance, placed in relation to the broader Caribbean historical context. This groundbreaking text fills a significant gap in studies of Caribbean cultural history and of social dance. \u00a9 1998-2001 Amazon.com, Inc. und Tochtergesellschaften<\/p>\n<p><a href=\"http:\/\/www.amazon.com\/gp\/product\/1592137342?ie=UTF8&amp;tag=interassocofi-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1592137342\" target=\"_blank\"><strong>Buy at Amazon.com<\/strong><\/a><\/p>\n<p><a href=\"http:\/\/www.amazon.de\/gp\/product\/1592137342?ie=UTF8&amp;tag=interassocofi-21&amp;linkCode=as2&amp;camp=1638&amp;creative=19454&amp;creativeASIN=1592137342\" target=\"_blank\"><strong>Buy at Amazon.de<\/strong><\/a><\/p>\n<p>Manuel, Peter, ed. <em>Creolizing Contradance in the Caribbean<\/em>. Temple UP, 2009.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The contradance and quadrille, in their diverse forms, were the most popular, widespread, and important genres of creole Caribbean music and dance in the nineteenth century.\u00a0 Throughout the region they &#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,6],"tags":[],"class_list":["post-1057","post","type-post","status-publish","format-standard","hentry","category-english","category-book-publications"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Manuel, Peter, ed. 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